Forgotten Origin

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There was a certain highfaluting pretension in me that turned my attention to the title of this book: Philology; the study of words, isn't it? Or the study of language?

Or is it the study of texts? Actually, I quickly realised that I didn't really know what philology is, other than some beautifully obscure and highbrow field of academic interest. In many ways, after completing Mr Turner's book, I'm still a bit unclear on how to define philology and all the better for it though his last words do provide a perhaps too neat, aphoristic definition, 'Philology: the love of words'. Philology: The Forgotten Origins of Modern Humanities gives a convincing understanding of what a wide ranging, historical, literal, linguistic and cultural area of study it can potentially be, or certainly what it was historically before our universities were divided in to faculties, schools and disciplines for study.

At the core of Turner's book is the idea that what we see in Modern universities as the separate disciplines of the humanities are, to a large extent, sets of intertwining knowledge that can be viewed as a whole under the study of philology. Indeed, he lucidly describes how the separation of the disciplines of literature, linguistics, history, classics and politics is principally a modern phenomenon, and that if we are to trace the origins of these disciplines, 'the trail usually leads back to one big, old thing: philology — the multifaceted study of texts, languages, and the phenomenon of language itself.

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His writing style is always accessible and frequently entertaining, which is a godsend given the pages presented on what is a vast and dense subject matter. By the s, toy companies were producing hobbycraft kits by the thousands; magazines promoted activities like furniture and carpentry for men, knitting and sewing for women, and beading and pottery for kids. Craft kits were packaged with supplies, instructions, and patterns.

Where the word had once connoted expertise and skill, even supernatural abilities, by the midth century, it had become an instant signifier of amateurism.

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What Langlands is advocating for in his book is more widespread knowledge about the time when craft was integral to daily life. In Craeft, Langlands calls for living and working with awareness of our environments, materials, and challenges in real time. Sometimes, a metaphor is the right tool for the job. We want to hear what you think about this article.

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